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The Picture of Dorian Gray (Collins Classics) Paperback – 2 Jul 2013
|Paperback, 2 Jul 2013||
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About the Author
Oscar Wilde was an Irish writer and poet born in 1854. He was known for his one-liners and dark sense of humor. He first studied at the famous Trinity College in Dublin and then at Oxford. His parents were influential Dublin intellectuals. He toured USA and Canada and lectured about the renaissance of British Art. In 1890, he wrote his only novel the Picture of Dorian Gray. In 1891, he wrote the famous tragic French play Salome which was denied permission to be staged in Britain. In 1895, he wrote the Importance of Being Earnest which is considered to be a masterpiece. He died in 1900.
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From the moment the unfortunate Eve bit into the forbidden apple, to these current days, when we lesser-mortals are lured by the overpriced electronic 'Apples', Temptation has been shadowing us humans. A baneful prelude to our vices, very few amongst us can claim to have overcome temptation. While we are protected by various constraints that help us overcome our temptations - social stigma, fear of gods, fear of law and so on - once in a while even the most saintly amongst us 'blinks' and lets temptation cause mayhem.
The corrupt lot never lets any constraints stop them, while the Holiest few never let temptations taint them. It is the ordinary beings in the middle that suffer the most at the hands of Temptation. Pulled by the pleasures on one side, barred from it by principles and penal codes on the other, this middle lot bears the onslaught of temptation grudgingly. How often have we craved to indulge in the vices to which we are lead – sometimes by becoming invisible, some other times by transforming ourselves into someone or something else! We have all wanted to relish the baser pleasures of life, without letting their effects stain our souls. This book then is the expression of such a desire on the part of Oscar Wilde.
Yes. This is a book on temptation, manipulation and eventual corruption. Except that here the protagonist - or, is it the antagonist?! - is never tainted by his sins. The corruption of his soul is borne by his portrait instead of its carnal sheath.
Dorian Gray is a charming young boy knocking on the doors of adulthood. Lord Henry is a wealthy, hedonistic idler whose only purpose in life is to seek pleasure and pleasurable sensations. Basil Hallward is a simple, righteous persona and a talented painter that 'adores' Dorian. A chance meeting of all these three - on the fateful day Basil puts his heart and soul into painting Dorian – designs the rest of the tale. Lord Henry 'teaches' innocent Dorian to take pride in his own physical beauty, which is temporary and urges him to indulge in the pleasures suited to his age. Manipulated by Henry thus, Dorian becomes aware of the flush of youth in his veins, as truthfully depicted by Basil in the portrait, but is also dejected at the prospect of growing old and haggard someday. In one god-forsaken moment, he loudly wishes that he would even exchange his soul to stay as beautiful as he is and let that wonderful portrait feel the passage of Time.
Starting with the simple pleasures of life, Dorian once commits a serious injustice to the girl he falls in love with. Back at home, Dorian finds his portrait slightly changed to show signs of cruelty amidst all that boyish charm. Dorian realizes that his ‘wish’ has come true and all the sins of his soul will leave their stains on the portrait instead of his face or his youth. But just as he repents and tries to make amends for his grave error, Lord Henry, a mentor as vile as there could ever be, sets him again on the wicked ways. Tempted also by a book lent by Henry, and untouched by the effects of his ‘sins’, Dorian falls deep into the pits of life, all the while watching the portrait turn from ugly to ghastly with each ‘sin’ that he commits. Was Dorian able to mend his ways? Did he ever get to redeem his soul? This book is a tale that answers those questions.
Oscar Wilde wrote this novel – his only one – while English society was reeling at the height of Victorian morality. Being a homosexual himself, Wilde was condemned, ostracized and left to die in penurious exile. It is quite an irony then that a book which brought its author all the infamy must be one of the best-selling books of our ‘modern’ times.
Going through the book, I couldn’t help wondering whether Dorian Gray and Lord Henry were Wilde’s alter-egos. Remember, we writers have a knack of lending a part of our soul to the characters that we lovingly create. The sense of importance lent to the statements of Henry, the weakness with which the other characters contradict him and finally end up agreeing with him, the hold that this hedonistic idler wields on the whole tale are all evidence enough that Henry, more than even Gray, is the alter-ego of Oscar Wilde. Basil, the moral person that he is, sounds feebly like the other part of Wilde that regrets his ‘mistakes’.
Not just for the author, but for us the readers too, this book holds a mirror. While stating the moral decadence that Dorian falls into, Wilde does not elaborate on the kind of sins Dorian takes pleasure committing. In that sense this feels akin to Robert Louis Stevenson’s ‘The Strange Case of Dr.Jekyll and Mr.Hyde’. There also, the protagonist leads a double life, being a noble gentleman as Dr.Jekyll while lurking in the darkness as Mr.Hyde sating his gore hungers. But what kind of immoral activities that Mr.Hyde indulges in is never articulated, leaving it to our guess. Here also, Dorian’s one sin is to indulge in narcotics, but the rest of the decadences are left unsaid, like a blank canvas on which we can paint the nature of those sins. Both these books are similar in letting us decide on the level of moral corruption, thus bringing out the inner demons that we have all been hiding inside us too.
The literary fluency of Wilde, his ability to portray in words the England of the late 19th century - from flora to the banal - do all make it a pleasure to read this book. But, I couldn’t help noticing his egoistic English self, like most of the British of his days, which made him think of India as the land of snake-charmers – at least in the fleeting reference.
A psychological thriller that stemmed from the unreliable ‘art’ of physiognomy, this book is a forbidden apple that we must all bite into!
It wouldnt have made sense to read the abridged version but the editor has very well condensed the story keeping the plot of the story intact. For the real pleasure of the dramatic and literary essence of the novel, would recommend to read the original. But those who dont want to read full novel or want to get a glimpse of this classic, this book can be a good start. I am sure it will provoke the reader to go for the fill length novel.
Though abridged and illustrated, not recommended for children.
This is review of Hardcover edition of The Picture of Dorian Gray (Great Illustrated Classics) ISBN 978-0866119986.
Basil Hallward, the artist who paints the picture of Dorian Gray attempts to keep his friend away from Lord Henry. However, Lord Henry influences Gray and poisons his mind, thus making him a cruel, heartless and corrupt person, all of which is reflected in his portrait. He continues to compare and evaluate his behaviour, while also continuing to be with the hypocrite Lord Henry. The events which happen thereafter made me question the distance between art and reality. I thoroughly enjoyed reading this book and it is one of the must reads.
I have a personal theory regarding the book. Spoiler alert!!
Considering that Wilde has written several books and short stories which are allegorical in nature, The Picture of Dorian Gray can also be viewed as an allegory. Basil represents God, the creator of Dorian. Dorian represents mankind. Basil's garden is eden where Dorian meets the serpent that is Lord Henry. After meeting Henry, Dorian never returns to the garden. Basil states that he has revealed too much of himself in his painting of Dorian, just like God created man in his image.
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