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Batman: Year One Paperback – Illustrated, 10 January 2007
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In his first year on the job, Batman feels his way around a Gotham City far darker than the one he left. His solemn vow to extinguish the town’s criminal element is only half the battle; along with Lieutenant James Gordon, the Dark Knight must also fight a police force more corrupt than the scum in the streets.
Batman: Year One stands next to Batman: The Dark Knight Returns on the mantle of greatest Batman graphic novels of all time. Timeless in its appeal, Frank Miller and David Mazzucchelli’s masterpiece would stand apart from the crowded comics field even today.
This edition includes the complete graphic novel, a new introduction by writer Frank Miller and a new illustrated afterword by artist David Mazzucchelli. Completing this collection are over 40 pages of never-before-seen developmental material such as character and layout sketches, sample script pages, sketches, and more that pro-vide a glimpse into the making of this contemporary classic.
This volume collects Batman #404-407.
- Print length144 pages
- LanguageEnglish
- PublisherDC Comics
- Publication date10 January 2007
- Grade level7 - 9
- Reading age13 - 16 years
- Dimensions16.9 x 0.8 x 25.8 cm
- ISBN-100290204895
- ISBN-13978-0290204890
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Product description
Review
“A gritty and atmospheric retelling of Batman’s earliest days as told by the author of the seminal Dark Knight Returns (1987). Mazuzuccelli’s art brings a new level of emotional instensity and realistic, muscular action.” —Booklist
“Year One worked as a fine piece of urban crime fiction…it was just a bonus that the arc also brought new depth to iconic characters that had been around for nearly 50 years.” —A.V. Club
“[One of] the most influential Batman stories ever told.” —Vulture
“You know that saying, "If you read just one book, this is the one to read"? Well, that applies to Batman: Year One. It's not only one of the most important comics ever written, it's also among the best” —IGN
“The best thing that Miller has ever written about Batman is the Batman: Year One.” —Wired.com
“This may be the best Batman comic ever.” —io9
About the Author
David Mazzucchelli drew his first professional comic book while majoring in painting at the Rhode Island School of Design. After a handful of jobs for Marvel and DC Comics, he became the regular artist on Marvel’s Daredevil, where he first collaborated with writer Frank Miller to produce the highly successful and critically acclaimed seven-part story “Born Again.” David’s most recent project is the self-published Rubber Blanket. His work on BATMAN and Daredevil has earned him both an American Comic Book Award and Spain’s Haxtur Prize. In 2009, Pantheon Books published Mazzucchelli's Asterios Polyp, which was met with critical acclaim. In 2010,
Asterios Polyp won three Eisner Awards for Best Graphic Album–New, Best Writer/Artist, Best Lettering.
Product details
- ASIN : 1401207529
- Publisher : DC Comics; Deluxe ed. edition (10 January 2007)
- Language : English
- Paperback : 144 pages
- ISBN-10 : 0290204895
- ISBN-13 : 978-0290204890
- Reading age : 13 - 16 years
- Item Weight : 311 g
- Dimensions : 16.9 x 0.8 x 25.8 cm
- Country of Origin : India
- Best Sellers Rank: #9,835 in Books (See Top 100 in Books)
- #329 in Comics
- #366 in Science Fiction & Fantasy (Books)
- #626 in Reference (Books)
- Customer Reviews:
About the authors
Frank Miller is one of the seminal creative talents who sparked the current gigantic sub-industry of motion pictures featuring comic book- initiated product. A sub-industry which had become a super-industry. This most profitable aspect of this millennium’s film production, now producing an annual flow of box office profits in the Billions of dollars, was launched when Frank Miller’s graphic novel re-take on the classic comic book hero, Batman, resulted in an entertainment industry-wide reconsideration of the genre in the deeper and darker vision Miller brought to it.
Miller re-defined the presentation of comic book characters and heroic fiction with his grand-daddy of graphic novels, “The Dark Knight.” This revolutionary work
not only kicked off the series of Batman films based on his redefinition, but a craze for such material that has thrown dozens of such heroes into multiple film franchise heaven. Certainly chief among these has been Miller’s uniquely classical take on superheroic narrative, “300,” and his “Sin City” books, each of which entered motion pictures with historic successes, and each now in Miller's creative phase of achieving its highly-anticipated sequel. Miller’s co-direction of “Sin City” has made him one of the hottest
directors… as well as a guiding creative force…for the new genre. Or one might say “super genre.”
Miller's latest graphic novel, Holy Terror, is his first original graphic novel in ten years. Join The Fixer, a brand new, hard-edged hero as he battles terror in the inaugural release from Legendary Comics.
David Mazzucchelli has been making comics his whole life. Known chiefly for his collaborations - with Frank Miller on seminal Batman and Daredevil stories, and with Paul Karasik on an adaptation of Paul Auster's novel, City of Glass - he began publishing his own stories in 1991 in his anthology magazine, Rubber Blanket. Since then his short comics have been published in books and magazines around the world. Asterios Polyp is his first graphic novel.
Photo by Luigi Novi [CC BY 3.0 (http://creativecommons.org/licenses/by/3.0) or CC BY 3.0 (http://creativecommons.org/licenses/by/3.0)], via Wikimedia Commons
Customer reviews

Reviewed in India on 11 January 2021
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This book starts with great promises and fails to keep even one of them. I was promised a great story and I didn't get it. I was promised the origin story of BATMAN, I was given that of James Gordon. The only great thing about this book is the Art.
THE Long Version -
AH!, Batman Year One. There is only one word I can use to describe it; OVERRATED. Allow me to explain.
I picked up this book on great expectations that this book was the definitive origin story of one of the greatest superhero of all time. This book held great expectations for me. But, when I finished the book, I was disappointed.
The book has dual narratives. One by Bruce Wayne and the other by James Gordon. I have to say, the title would be more apt if it was "James Gordon Year one". Because, almost 70% of the story revolves around James Gordon. It deals with his family issues and his character development. Bruce Wayne is shown in only a few slides and nothing more.
I was almost fed up about the fact that Gordon has more story time than Batman. Bruce Wayne has a few appearances, they're restricted to a few slides and a page. The entire book is nothing but a drag fest. It shouldn't even be called an origin story. We don't get to see the training of Batman, his ideology or how he came to become the 'Caped Crusader'. Well, the only clear origin story I got to witness was that of James Gordon.
Now about the story, it drags and there is no proper structure. There is no clear cut antagonist. It's just Batman vs The World. The story was boring and it lacks direction. It just moves on without any structure. Sometimes it was too boring to read that I had to take a day or two off, just to continue the story. This was not as good as I expected it to be. The characters were lackluster, there was no Alfred. The story lacks the details to be even called an origin story. Yet this was the origin story which was proclaimed to be the best one ever. Do not read this book for the story because you will be disappointed.
The only thing that can be appreciated about this book is it's art. The art was so fascinating that I found myself staring at it for few minutes, just admiring it. The art is the only that worked out for this book. I even took prints of the ART to stick in my Penthouse. That's how good the art is. Every page is so intricately detailed and colored accordingly that it makes up to the lackluster story and character development.
In conclusion, the story was bad, the ART is fantastic. Read it for the art and to know the origin story of 'James Gordon', because this book is not the origin story of Batman.
The Batman, as we see him now: this dark, brooding, serious character (made even more popular by Nolan's magnificent Dark Knight trilogy) had its origins to this groundbreaking and defining series of comics.
Frank Miller needs no introduction and it is when you read stuff like this that you realise why he's this popular. Plus David complements the plot with some phenomenal sketches which provide one helluva experience overall.
"Ladies. Gentlemen. You have eaten well. You've eaten Gotham's wealth. Its spirit. Your feast is nearly over. From this moment on...
...none of you are safe."
The story switches between two perspectives, that of Lieutenant James Gordon, an honest police officer against a corrupt force, and Bruce Wayne, returning to Gotham after several years filled with emotional turmoil for a city he loves and hates.
Both realize soon enough that the work's easier said than done.
The cogwheels aren't easy to turn. Change doesn't come easy, especially when it's something radical. You gotta persist. You gotta fight. You gotta carry on.
And carry on they do.
"Without warning, it comes...
...crashing through the window of your study... and mine...
..I have seen it before.. somewhere..
...it frightened me... as a boy...
...frightened me...
..yes Father.
I shall become a bat."
There's something about this guy in a black cape which makes him so popular even after decades of him being created. And behind that is his deep rooted human-ness.
We can all relate to him: his insecurities, his inner conflicts, the dilemma of human life, the struggles he has to face without any pause. We see somewhat of our life reflected in that, we take inspiration,
And we carry on too...

Reviewed in India 🇮🇳 on 11 January 2021
The Batman, as we see him now: this dark, brooding, serious character (made even more popular by Nolan's magnificent Dark Knight trilogy) had its origins to this groundbreaking and defining series of comics.
Frank Miller needs no introduction and it is when you read stuff like this that you realise why he's this popular. Plus David complements the plot with some phenomenal sketches which provide one helluva experience overall.
"Ladies. Gentlemen. You have eaten well. You've eaten Gotham's wealth. Its spirit. Your feast is nearly over. From this moment on...
...none of you are safe."
The story switches between two perspectives, that of Lieutenant James Gordon, an honest police officer against a corrupt force, and Bruce Wayne, returning to Gotham after several years filled with emotional turmoil for a city he loves and hates.
Both realize soon enough that the work's easier said than done.
The cogwheels aren't easy to turn. Change doesn't come easy, especially when it's something radical. You gotta persist. You gotta fight. You gotta carry on.
And carry on they do.
"Without warning, it comes...
...crashing through the window of your study... and mine...
..I have seen it before.. somewhere..
...it frightened me... as a boy...
...frightened me...
..yes Father.
I shall become a bat."
There's something about this guy in a black cape which makes him so popular even after decades of him being created. And behind that is his deep rooted human-ness.
We can all relate to him: his insecurities, his inner conflicts, the dilemma of human life, the struggles he has to face without any pause. We see somewhat of our life reflected in that, we take inspiration,
And we carry on too...


Reviewed in India 🇮🇳 on 28 September 2021













The ending was a bit unclear and was dull compared to the rest of the book where high steak scenes are shown
Top reviews from other countries


The story focuses on Bruce’s first year as Batman (the title says it all: Batman: Year One). It shows Bruce learning how to be Batman, and trying to get rid of the corruption in the GCPD. But that’s only half the story, literally, as the other half of the story focuses on Jim Gordon, with his first year as a police lieutenant in Gotham City, trying to be a good cop in a city where the police is as bad as the criminals. It grounds the story and gives depth to Jim, whose never really been a focus in the comics.
One thing that some might find unusual about this Batman stories is its villains, of lack thereof. There’s no Joker, no Penguin, no Riddler, not even a mention of any of the Rogue’s gallery, except for focusing on Gotjam’s crime families and a cool reference to a certain villain on the very last page. It’s devoid of villains and only focuses on the core part of Batman: Batman and Gotham. Miller manages to give us the most realistic, most down to earth Batman story in my memory. It shows Batman learning to be Batman, taking down street-level thugs and crime bosses, fighting the corruption in the GCPD.
As for the book, it’s one of the best I’ve got in my small yet growing collection. The paper used on the cover and in the pages are different to normal, not using normal glossy paper but more of a matte paper type. This paper feels really good when holding and reading. The books also contains lots of extras in the back, including a 4-page comic by Mazzuchelli about Batman. Very nice additions.
In summary, a must-have for any Batman fans. It’s a great comic for anyone who knows the character of Batman, and really wants to get to know the character better. The story and art is stellar and gives us a down-to-earth Batman. I’d say it’s a great first Batman story, not requiring and previous knowledge and showing you what Batman is about, who he is, and also introducing you to Batman. But, nevertheless, give it a read. It’s one of the best Batman stories, with no previous knowledge required, and art which sets the tone and will immerse you.

Notably, there are no evil geniuses or masked supervillains to be seen. This comic takes a very grounded approach to Batman, showing him attempt to root out corruption in the CPD, along with officer Gordon. This approach works well for Batman, who has always been less suited to the flashy heroics of other films and comic books, instead existing comfortably in a world with more grit to it.

Year One was a late eighties reboot of the character following DC's Crisis on Infinite Earths storyline, penned by veteran writer Frank Miller (who had previously given us an older Batman in The Dark Knight Returns) and drawn by the excellent David Mazzuchelli, and as a result it gives us a fresh look at Batman's origin story and suggested a slightly different take on his development as the dark knight and the start of his burgeoning relationship between himself and James Gordon. As is typical of Miller's work, this is a grittier and darker story than earlier readers would have been familiar with, and has since gone on to be considered almost seminal by Batman fans.
As an origin story, this book gives us plenty of opportunities to see Batman stumble, though by the end of the story he's most definitely found his feet as Gotham's unofficial protector. There's also the obligatory run-ins between Batman and the police, especially Jim Gordon (who is just a lowly detective in this one), and the fact that most of those police are just as corrupt as the villains they're supposed to be working against makes for some interesting (and explosive) action throughout. By the end of the story Batman's not only delivered a crushing blow to the city's organised crime syndicates but has also helped Gordon begin the slow process of cleaning house at the Gotham Police Department.
While it could be argued that Miller can (and regularly is) unkind to his female characters (Selina Kyle is relegated from her role as an accomplished cat burglar to a side-role as a prostitute), that doesn't entirely detract from the fact that this is a fun and enjoyable book, and I'd strongly recommend it to anyone who's even mildly interested in Batman's early days in Gotham City.

But for me, the best Batman is written by Miller. Maybe it's because I like his writing style, or maybe it's because his fairly dark writing style really suits Batman.
Or it could just be that the very first comic I read as adult was Dark Night Returns. That's the comic that made me realize that comics weren't just a bunch of silly bulls*** stories for kids.
Whatever the reason, this comic is in that fine Frank Miller style. Showing Batman and Gordon at the beginning of their lives. Both of them making mistakes. Both of them learning about their city. Both of them paying for their mistakes....
Yeah. If you're into Batman and you haven't read this one, you're missing out. You should try it